★PutLocker★ Lost in America Movie Stream

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Documentary
Actor Tiffany Haddish, Jewel Kilcher

Liked It 23 vote
Rotimi Rainwater
Info Lost in America is a feature documentary on the issue of youth homelessness in America, following director Rotimi Rainwater, a former homeless youth, and his team as they travel the country to shine a light on the epidemic of youth homelessness- highlighting issues like: human trafficking, the foster care system, youth rejected because of their sexuality, domestic violence, abuse, and more. It also examines what many organizations, politicians and other public figures are doing (or not doing) to help these youth. Featuring interviews with Jewel (executive producer), Rosario Dawson (executive producer), Jon Bon Jovi, Halle Berry, Sanaa Lathan and others, the project has captured the attention of dozens of organizations and members of Congress that have since become involved. In addition, the upcoming film campaign has been sponsored by the organization Sands Cares, Las Vegas Sands' giving program. More than a film, Lost in America is a movement. It started with one man's journey to shine a light on the realities of youth living on the streets. Then, a group of filmmakers formed a team dedicated to telling the story of this important journey. Now, this movement is spreading across the country to thousands who are standing with the film to make sure homeless youth are no longer - lost in America

Alice Cooper is a total badass! He's been my favorite musical artist for years. Well this is pure, old school Rock and Roll. I like it. Lost in America Theatrical release poster Directed by Albert Brooks Produced by Marty Katz Written by Albert Brooks Monica Johnson Starring Albert Brooks Julie Hagerty Music by Arthur B. Rubinstein Cinematography Eric Saarinen Edited by David Finfer Production company The Geffen Company Distributed by Warner Bros. Release date March 15, 1985 (U. S. ) Running time 91 minutes Country United States Language English Box office $10, 179, 000 Lost in America is a 1985 satirical road comedy film directed by Albert Brooks and co-written by Brooks with Monica Johnson. The film stars Brooks alongside Julie Hagerty as a married couple who decide to quit their jobs and travel across America. Plot [ edit] David and Linda Howard are typical 1980s yuppies in California who are fed up with their lifestyle. He works in an advertising agency and she for a department store. But after he fails to receive a promotion he was counting on and is instead asked to transfer to the firm's New York office, David angrily insults his boss and is fired. He coaxes his wife to quit her job as well and seek a new adventure. The Howards decide to sell their house, liquidate their assets, drop out of society, "like in Easy Rider ", and travel the country in a Winnebago recreational vehicle. They leave L. A. with a "nest egg" of a hundred thousand dollars but do not get very far. The plan goes awry when Linda loses all their savings playing roulette at the Desert Inn Casino in Las Vegas, where a desperate David tries in vain to persuade a casino manager to give the money back as a publicity gimmick. With nowhere to go, the couple quarrels at Hoover Dam, then ends up in Safford, Arizona. David unsuccessfully applies for a delivery job at a local pharmacy and resorts to an employment agency. After a counselor obnoxiously reminds him that he was fired from his high-paying job in advertising, David accepts the best position available — as a crossing guard, taunted by local school kids. Linda, meanwhile, finds employment as the assistant manager at the local Der Wienerschnitzel, working under a kid half her age. Only a few days after beginning their pursuit of the dream of dropping out of society, David and Linda are living in a trailer park, almost broke, working dead end jobs and accountable to brats. They decide that it is better to get back to their old lifestyle as soon as possible. They point the Winnebago toward New York, where David begs for his old job back. Cast [ edit] Albert Brooks as David Howard Julie Hagerty as Linda Howard Maggie Roswell as Patty Michael Greene as Paul Dunn Garry Marshall as Casino Manager Donald Gibb as Ex-Convict Charles Boswell as Highway Patrolman Brooks originally did not want to direct himself and had wanted Bill Murray for the part of David Howard. [1] Reception and awards [ edit] Lost In America received mostly positive reviews from critics and holds a 97% rating on review aggregator Rotten Tomatoes, based on 32 reviews, with the consensus; "A satire of the American fantasy of leaving it all behind, Lost in America features some of Albert Brooks' best, most consistent writing and cultural jabs. " [2] The film was a commercial success, though not a blockbuster. The film's script won the National Society of Film Critics award for Best Screenplay. The film is number 80 on Bravo's "100 Funniest Movies". It is recognized by American Film Institute on these lists: 2000: AFI's 100 Years... 100 Laughs – #84 [3] Home media [ edit] Warner Home Video initially released the film onto VHS and Laserdisc in 1985 and reissued it twice on video, in 1991 and 1997. The film made its DVD debut on April 3, 2001, and was made available for streaming on Netflix on July 1, 2016. Criterion released this on Blu-Ray on July 25, 2017. References [ edit] External links [ edit] Lost in America on IMDb Lost in America at Rotten Tomatoes Lost in America at Box Office Mojo Lost in America: The $100, 000 Box an essay by Scott Tobias at the Criterion Collection.

아 존나 멋있다. That guy is, uh, beefy. Still listening to Alice Cooper in 2017 xD And I'm 20 !xD.

I really love that Alice made his official vid in the movie Wayne's World :D. Thanks a million for posting this little gem of a song. Greeting from the Philippines. A song about being delayed at airport and getting piss drunk. I love that kind of music. D. Where's the beautiful soundtrack by John Barry. 1:15:10 This film is hilarious from beginning to end. It's actually gotten me thru some very tough times in my life, I used to watch this to boost my spirits when I was really sick. Anyway, the above timestamp is one of my favorite parts! It always cracks me up. MOVIES 6:17 AM PDT 3/15/2018 by Photofest Julie Hagerty and Albert Brooks in 1985's 'Lost in America' Too often, things are simply too painfully accurate to be particularly funny. On March 15, 1985, Albert Brooks unveiled his R-rated, dark road-trip comedy Lost in America in theaters. The Hollywood Reporter's original review of the Warner Bros. film is below. Lost in America  faces an uphill route to its box-office destination. Former  Saturday Night Live  filmmaker Albert Brooks’ third feature (after  Real Life  and  Modern Romance) is a wry satire of modern-day social malaise, but the deadpan cerebral humor of this Geffen Co. release through Warner Bros. is likely to leave most audiences waiting for the punch line. Brooks (who co-authored the script with partner Monica Johnson) and  Airplane ’s Julie Hagerty play a bored, well-to-do Los Angeles couple who impulsively trade in their Mercedes for a motor home and embark on a journey of self-discovery a la  Easy Rider. But their odyssey, which begins with wifey sacrificing the family’s entire nest egg to a Vegas roulette wheel and terminates in a windswept Arizona trailer park, soon comes to more closely resemble an upper-tax-bracket edition of  National Lampoon’s Vacation. The difference — and the problem — is that Brooks’ movie is often too realistic for its own good. His antiseptic visuals, which perfectly convey the characters’ vapid environments, have an almost harrowing believability. Eric Saarinen’s unobtrusive location photography and the casting of unfamiliar faces in supporting roles (including producer Garry Marshall in a convincing cameo as a casino pit boss) further reinforce the picture’s unnerving documentary quality. Too often, things are simply too painfully accurate to be particularly funny. Still, it’s hard to fault Brooks’ resolutely adult intelligence, and Lost in America  — almost in spite of itself, really — is easily his most consistently amusing work to date. The director’s own rather bland screen persona, in most cases a hindrance, here works to particularly identifiable advantage. Indeed the movie’s comic highlights derive from Brooks’ periodic losses of equanimity, outbursts of righteous indignation that demonstrate an uproarious mastery of the slow-burn principle. Brooks has additionally been well served by a capable crew — cinematographer Saarinen, editor David Finfer, production designer Richard Sawyer, composer Arthur Rubinstein — who lends his efforts considerable polish. The filmmakers’ greatest asset, however, is Hagerty. Discarding her customary winsomeness, she imbues an unattractively written role with a sort of tarnished naivete that is perhaps the happiest find of this Lost in America.  — Kirk Ellis, originally published on Feb. 13, 1985.

Alice cooper would make great soundtrack on marvel movies. Got to love this.

 

| Roger Ebert March 15, 1985 Every time I see a Winnebago motor home, I have the same fantasy as the hero of "Lost in America. " In my dream, I quit my job, sell everything I own, buy the Winnebago and hit the open road. Where do I go? Look for me in the weather reports. I'll be parked by the side of a mountain stream, listening to Mozart on Compact Discs. All I'll need is a wok and a paperback. In "Lost in America, " Albert Brooks plays an advertising executive in his 30s who realizes that dream. He leaves his job, talks his wife into quitting hers, and they point their Winnebago down that long, lonesome highway. This is not, however a remake of "The Long, Long Trailer. " Brooks puts a different spin on things. Advertisement For example, when movie characters leave their jobs, it's usually because they've been fired, they've decided to take an ethical stand or the company has gone broke. Only in a movie by Brooks would the hero quit to protest a "lateral transfer" to New York. There's something intrinsically comic about that: He's taking a stand, all right, but it's a narcissistic one. He's quitting because he wants to stay in Los Angeles, he thinks he deserves to be named vice president and he doesn't like the traffic in New York. "Lost in America" is being called a yuppie comedy, but it's really about the much more universal subjects of greed, hedonism and panic. What makes it so funny is how much we can identify with it. Brooks plays a character who is making a lot of money, but not enough; who lives in a big house, but is outgrowing it; who drives an expensive car, but not a Mercedes-Benz; who is a top executive, but not a vice president. In short, he is a desperate man, trapped by his expectations. On the morning of his last day at work, he puts everything on hold while he has a long, luxurious telephone conversation with a Mercedes dealer. Brooks has great telephone scenes in all of his movies, but this one perfectly captures the nuances of consumerism. He asks how much the car will cost - including everything. Dealer prep, license, sticker, add-ons, extras, everything. The dealer names a price. "That's everything? " Brooks asks. "Except leather, " the dealer says. "For what I'm paying, I don't get leather? " Brooks asks, aghast. "You get Mercedes leather. " "Mercedes leather? What's that? '' "Thick vinyl. " This is the kind of world Brooks is up against. A few minutes later, he's called into the boss's office and told that he will not get the promotion he thinks he deserves. Instead, he's going to New York to handle the Ford account. Brooks quits, and a few scenes later, he and his wife ( Julie Hagerty) are tooling the big Winnebago into Las Vegas. They have enough money, he conservatively estimates, to stay on the road for the rest of their lives. That's before she loses their nest egg at the roulette tables. "Lost in America" doesn't tell a story so much as assemble a series of self-contained comic scenes, and the movie's next scene is probably the best one in the movie. Brooks the adman tries to talk a casino owner ( Garry K. Marshall) into giving back the money. It doesn't work, but Brooks keeps pushing, trying to sell the casino on improving its image. ("I'm a high-paid advertising consultant. These are professional opinions you're getting. ") There are other great scenes, as the desperate couple tries to find work to support themselves: An interview with an unemployment counselor, who listens, baffled, to Brooks explaining why he left a $100, 000-a-year job because he couldn't "find himself. " And Brooks's wife introducing her new boss, a teenage boy. "Lost in America" has one strange flaw. It doesn't seem to come to a conclusion. It just sort of ends in midstream, as if the final scenes were never shot. I don't know if that's the actual case, but I do wish the movie had been longer and had arrived at some sort of final destination. What we do get, however, is observant and very funny. Brooks is especially good at hearing exactly how people talk, and how that reveals things about themselves. Take that line about "Mercedes leather, " for example. A lot of people would be very happy to sit on "Mercedes leather. " But not a Mercedes owner, of course. How did Joni Mitchell put it? "Don't it always seem to go, that you don't know what you've got, till it's gone. " Reveal Comments comments powered by.

Very good song, but did anyone notice the similarities to Future World.

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2. Publisher: David Jolly
3. Resume: Former Member of Congress. Bull Mooser.